Fantastic on-air visual identity for TV channel nPremium HD — by Warsaw agency mamastudio
Psyop, Fedex Enchanted Forest
A shipping giant befriends a forest — thanks to sustainability solutions from FedEx, including more electric trucks, more recycled shipping materials and a growing number of lower-emission planes. Learn more at fedex.com/earthsmart
Syfy – Imagine Greater
New spot for SyFy by National Television
Directed by National Television
Sky Arts
Rebranding of Sky’s art channel
Production Assistant: Duncan Macdonell
Location Manager: Nick Williams
1st AD: Lucas Harding
DoP: Tim Green
Focus Puller: Charlie England
Clapper Loader: Andrew Jones
Camera Car Driver: Martin Sheasby
Playback: Tony Crouch
Gaffer: Robin Brigham
Spark: Neil Blackman
Spark: Steve Bligh
Production Runner: Georgie Buxton
Production Runner: Wolf Wasserman
Creative Director: Cam Levin (ThinkMake)
Producer: Sharon Kersley
Animation by Artillery
Music & Sound Design by Radium
Director: Jon Yeo
Maya to After Effects by Curt Saeui
In a research trying to solve how to control scene scale between maya and after effects I found this.
“Rideshare posts and shares a script that he is working on to ease the maya to after effects workflow. The Maya to AE MAEL script automates a bit of the process in exporting your Maya scene to After Effects by streamlining the process. The script is in beta however so far it will:
create your ASCII file
Option to rename all locators with the prefix “null_”
Bakes all objects within the given frame range
Scale scene option: fixes scene scale issue without having a ton of scale nulls in your AE project
Fixes naming issues when in After Effects. Removes the annoying “Shape” text that gets added to all the nulls and cameras when imported.
Deletes all unnecessary objects so that it doesn’t crash AE when trying to import complex scenes”
